During his intervention as a guest on the podcast “Enjoy the trip”, the phenomenon of lying corridos accepted that he does not like his voice, but he is aware that this could be part of the key to his success.
“I have never liked my voice, ever,” he said.
Although Featherweight is aware of the criticism that people write to him on social networks about his voice, he knows that other performers have succeeded in music suffering from something similar.
“I think people like it because it’s something they don’t see, it’s something unique. For something to hit you, I don’t necessarily have to be a singing watch, ”she mentioned.
Hassan Emilio Kabande Laija, the real name of the 24-year-old singer from Jalisco, recalled how at the time performers such as Valentín Elizalde and Chalino Sánchez reached the peak of success thanks to their musical proposals different from those of others.
“Many people say that Valentín, that Chalinón, sang differently and I think that’s why people like it, because it’s something they don’t see, it’s something unique,” he stressed.
The truth is that the rapid rise in popularity of Featherweight is undeniable, since since he presented his song “Ella Baila Sola” his name gained the necessary fame to displace Natanael Cano as the greatest exponent of war corridos.
In addition to recording in collaboration with Argentinian DJ Bizarrat, he has also worked with Becky G, Nicki Nicole, Marshmello, and Ovy on the Drums.
Recently, even former world champion Mike Tyson produced a video where he paid tribute to Featherweight, which reaffirms the thesis that to succeed in today’s music a nightingale or tenor voice is not required.
In fact, despite the short time that he has burst onto the stage, Hassan Emilio has already stepped on stages where no other Mexican singer had performed and this notoriety has made him a millionaire owner of a record label where, in addition to recording new songs , aims to promote talented young people, but without the necessary resources to achieve the goal of making their way in music.
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